![]() ![]() Courtesy of Santa Monica Public Library Image Archives/ Ernest Marquez Collection.īorn in San Francisco on December 12, 1867, Elfie Mosse moved to Santa Monica with her mother at a young age, following the untimely passing of her father. Elfie A. MosseĮlfie Mosse in the Children's Room of the Santa Monica Public Library, circa 1900. Her commitment to education was evidenced by gifts of land for schools and for a permanent location for the Bay City Women’s Club. She also supported the community by giving land for a Presbyterian Church and St. Around the beginning of the 20th Century, she donated land in Santa Monica Canyon to create the first experimental forestry station managed by Abbott Kinney, the founder of Venice. In 1891 she donated the land of today’s Pacific Palisades Park to the City of Santa Monica. Arcadia designed one of the first maps for the city, creating an original vision of land use in Santa Monica.Īrcadia, along with Colonel Baker, notably deeded the land for a National Home for Disabled Veterans in 1888, which is now the Veterans complex in Westwood. As a widow, she married again, this time to another wealthy landowner and one of the founders of the City of Santa Monica, Colonel Robert S. Born in 1825 in San Diego to a socially elite California family, she married a wealthy landowner at age 15 and moved to Los Angeles. Many considered Arcadia Bandini de Baker the “Godmother” of the City of Santa Monica because she had such an impact on current public use lands. Courtesy of Santa Monica Public Library Image Archives/ C.C. They accomplished a great deal without much fanfare and the impact of their hard work is still being felt today. Please contact an Artspace advisor for a custom quote.In a year when TIME revealed “The Silence Breakers” as the Person of the Year, we want to celebrate three remarkable women in Santa Monica’s earlier days.We generally leave 1/4” - 1/2” of paper showing around the image, to accommodate signatures and for visual appeal.It is now considered the industry standard for artists, museums and galleries throughout the world. ![]() 090 mm plexiglass, which blocks 66% of UV to prevent color fading from exposure to light, keeping your art protected for years to come. ![]() Acrylic GlazingĪll of our frames come with picture quality. All mounting is fully reversible, without any potential damage to the art. Artworks with a deckled or decorative edges will be floated on the matboard, with acrylic spacers to separate the art from the glazing. The mat's surface paper is fade and bleed resistant and is attached to a conservation quality foam-core mounting board that will keep the work safe from deterioration over time. Promotion codes cannotĪll prints are hinged to a conservation quality, acid-free and lignin-free Alpha Cellulose matboard, using an acid-free linen tape. Including commission, shipping, and taxes and duties when applicable. Winning bidders will be contacted within 48 hours to arrange shipping and to provide final price Purchases made from all auctions, including benefit auctions, are subject to sales tax. In the case of multiple bidders placing the same maximum bid, the first person to place the maximumĪmount takes precedence as the highest bid until another bidder exceeds the maximum amount.įor Artspace Auctions winning bidders are charged a 15% Buyer's Premium on top of the hammer price.įor Artspace Benefit Auctions, Buyer's Premiums are not applied. If your maximumīid no longer exceeds the current bid, you will receive an outbid notification email, and have the Winning amount is less than your maximum bid, you will pay the current increment. Unfolds, we will increase your bid by increments to ensure you remain the highest bidder. Spend for a work, though this does not necessarily mean you will pay that price. You should always bid the maximum you are willing to Every bid submitted is treated as a maximum bid. ![]()
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